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Creative Writing | Literary Translation | Editorial Support
Most Recent Book Title
Anti-Memoirs of a Muse: Love hurts. Art devours.
Book Description
Anti‑Memoirs of a Muse is a visceral, hypnotic journey into the underbelly of artistic life — a world where beauty is currency, madness is ritual, and the line between inspiration and possession dissolves.
Regreta, the reluctant muse of a circle of bohemian artists in Bucharest’s Old Town, moves through a labyrinth of workshops, parties, addictions, betrayals, and ecstatic creation. Around her orbit sculptors, painters, numismatists, watchmakers, failed geniuses, and dangerous lovers - each demanding a piece of her flesh, her attention, her soul.
When her long‑dead grandfather Alfred appears during an earthquake, offering her a mysterious contract and ten borrowed years of life, Regreta is thrust into a surreal pact that blurs memory, hallucination, and destiny. What follows is a decade of artistic delirium: nights with sculptors who drink themselves into oblivion, women who fight like mythic beasts, men who worship and destroy their muses, and a city that trembles under the weight of its own stories.
Blending psychological realism with magical intrusions, erotic tension, dark humor, and a fierce tenderness for the broken and the brilliant, this novel becomes a confession, a chronicle, and a spell.
A cult‑literary portrait of art, addiction, and the dangerous intimacy between creator and muse.
Regreta, the reluctant muse of a circle of bohemian artists in Bucharest’s Old Town, moves through a labyrinth of workshops, parties, addictions, betrayals, and ecstatic creation. Around her orbit sculptors, painters, numismatists, watchmakers, failed geniuses, and dangerous lovers - each demanding a piece of her flesh, her attention, her soul.
When her long‑dead grandfather Alfred appears during an earthquake, offering her a mysterious contract and ten borrowed years of life, Regreta is thrust into a surreal pact that blurs memory, hallucination, and destiny. What follows is a decade of artistic delirium: nights with sculptors who drink themselves into oblivion, women who fight like mythic beasts, men who worship and destroy their muses, and a city that trembles under the weight of its own stories.
Blending psychological realism with magical intrusions, erotic tension, dark humor, and a fierce tenderness for the broken and the brilliant, this novel becomes a confession, a chronicle, and a spell.
A cult‑literary portrait of art, addiction, and the dangerous intimacy between creator and muse.
Additional Book Titles
The Gossip Club Café 69: Lovers Kiss and Tell. We Skip the Kiss and Go to Hell.
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Author bio
Julia Kalman is a multilingual writer, literary translator, and editor-in-chief of New Literary Society E Magazine. She writes in Romanian and English and translates literary works between English, German, and Romanian, exploring themes of identity, love, desire, culture, and the psychology of human relationships through fiction, autofiction, and literary prose.
She is the founder and editor-in-chief of New Literary Society, an international literary platform and monthly e magazine that promotes contemporary writing, interviews, and cross-cultural dialogue. Through her editorial work, she supports emerging and established writers and curates a vibrant literary community.
Julia studied Romanian and German languages and literatures at the University of Bucharest, German and Italian languages and translation at “Dimitrie Cantemir” University, and English language, translation, and creative writing through the Open University, Oxford Home Study Center, and other international programs.
Her background includes roles as a literary secretary, adult educator, and project manager for gender equality initiatives, enriching her perspective as a writer, translator, and literary advocate.
Julia Kalman is a member of the Fiction Writers’ Association, Bucharest, Romania (Asociația Creatorilor de Ficțiune, București, Romania) and the Non-Fiction Authors Association, Folsom, California.
She is the founder and editor-in-chief of New Literary Society, an international literary platform and monthly e magazine that promotes contemporary writing, interviews, and cross-cultural dialogue. Through her editorial work, she supports emerging and established writers and curates a vibrant literary community.
Julia studied Romanian and German languages and literatures at the University of Bucharest, German and Italian languages and translation at “Dimitrie Cantemir” University, and English language, translation, and creative writing through the Open University, Oxford Home Study Center, and other international programs.
Her background includes roles as a literary secretary, adult educator, and project manager for gender equality initiatives, enriching her perspective as a writer, translator, and literary advocate.
Julia Kalman is a member of the Fiction Writers’ Association, Bucharest, Romania (Asociația Creatorilor de Ficțiune, București, Romania) and the Non-Fiction Authors Association, Folsom, California.
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Hello Julia Kalman,
I came across The Gossip Club Café 69 and what stood out to me was the specific moment everything shifts, a mysterious woman in a blue kimono entering the painter’s studio across the street, turning Contessa, Sorina, Daria, and Lumi’s casual morning gossip into something far more obsessive. Starting from something as small as four women watching a window, then letting it spiral into a real reckoning with love, motherhood, and trauma, is a genuinely clever way to build tension.
The line that stayed with me is the idea that every truth has four versions, and none of them match. For a story about misread moments and friendships fracturing under the weight of assumption, that line captures the whole premise in one sentence.
Right now the book is still new and has not had the chance yet to build much visibility. A story this specific, blending sharp humor with real psychological tension, should be reaching far more readers who love voyeuristic, character driven fiction.
This book fits readers of literary and women’s fiction who enjoy multiple perspectives on the same events, fans of cinematic, tension filled storytelling with real emotional stakes underneath, and readers drawn to stories about how gossip and assumption can fracture even the closest friendships. It would also suit book clubs looking for a story that sparks debate about who actually saw the truth.
The risk is that readers who would love this exact mix of humor, voyeurism, and unraveling friendship never come across a book built specifically for that space. Since readers are always looking for fiction with a fresh, sharp voice like this one, getting The Gossip Club Café 69 in front of them now matters more than waiting.
Simply reply to this email and I will send you the full process so we can get your campaign underway without delay.
Best Regards
Renaa Fredette